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Nintendo’s slow drip of Switch 2 games is a feature, not a bug

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When Nintendo first announced the Switch 2’s slate of launch titles, people were very quick to cry foul about how few original, exclusive games the company had lined up for its latest console. There were ports from other systems and updated versions of original Switch games. But Mario Kart World was the Switch 2’s only major new exclusive title, which, for some, put a further damper on a launch that was already mired in confusion about pricing and game key cards.

Back in April when Nintendo first announced all of the Switch 2 games slated to come out through the end of 2025, you could see that the company was loosely following a monthly release schedule for its new exclusives. June would go to Mario Kart World and Nintendo Switch 2 Welcome Tour. And Donkey Kong Bananza would drop in July amid the releases of a couple Switch 2 editions of older games. At the time, Nintendo said that Drag x Drive would debut at some point in “the summer,” but it has since pegged the game to a firm August 14th release date.

Currently, there’s nothing on the docket for September, but the month could easily go to Kirby Air Riders, which is supposed to come out this year. And after Pokémon Legends: Z-A’s release in October, the “winter” will belong to Hyrule Warriors: Age of Imprisonment (and maybe Metroid Prime 4: Beyond, which is also due out sometime in 2025).

Looking at Nintendo’s roadmap for the rest of the year, it feels as if the company is trying to pace things in a way that gives people time to really sit with and enjoy its exclusives. For every hardcore gamer who prides themself on speeding through a title and being the first to uncover or unlock all of its surprises, there are far more casuals who prefer taking their time. Nintendo could have opted to flood the zone with more exclusives from the jump — a move that probably would have made the Switch 2’s launch seem like a splashier beat in the console wars’ twilight hours. But by spacing things out, the company is guaranteeing that there will be a steady stream of new stuff for people to dig into, and giving people ample time to decide if they’re willing to pay the games’ higher prices.

The Switch 2 is Nintendo’s new flagship, which is to say it’s not going away anytime soon and there will be plenty more games for it in due time. Had Donkey Kong Bananza dropped alongside Mario Kart World, neither game would have been able to take up so much space and command attention they way they could with some distance between them. Releasing new titles at a steady pace was a major part of Nintendo’s vision for the original Switch, and that strategy paid off through the console’s life cycle. Now it looks like Nintendo’s sticking to its guns, and the Switch 2 will probably be better off for it.

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Meta is playing the AI game with house money

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Mark Zuckerberg’s AI hiring spree is costing a lot of money. His investors don’t care.

Meta’s stock price shot up over 10 percent on Wednesday after the company reported better-than-expected earnings. Revenue generated in the second quarter was $47.5 billion, up 22 percent from a year ago. Daily users across Facebook, Instagram, Threads, and WhatsApp grew to almost 3.5 billion. Meta also warned Wall Street that it would spend more on data centers and hiring next year. In response to all this, the company’s valuation increased by over $175 billion, or more than 12 Scale AI deals.

”Our business continues to perform very well, which enables us to invest heavily in our AI efforts,” Zuckerberg said during today’s earnings call. Meta’s cash cannon is now fully pointed at his new moonshot of achieving superintelligence, or as he puts it, AI that “surpasses human intelligence in every way.” He bragged about providing the richly compensated members of his new superintelligence lab “access to unparalleled compute” for training new models that will “push the next frontier in a year or so.”

Zuckerberg’s last moonshot was the metaverse, which came up only once at the very end of today’s earnings call. It’s too early to compare the two projects, but they share a key similarity: they need the kind of funding that only a company like Meta can provide.

Where AI differs from the metaverse, however, is that it appears to be already improving Meta’s ads business. A new AI model for delivering ads has driven approximately five percent more conversions on Facebook and three percent more conversions on Instagram, according to CFO Susan Li. Large language models are also starting to power how posts are ranked in feeds across the company’s apps, including Threads.

While Meta is still spending heavily on the metaverse (it’s on track to spend a total of $100 billion on its Reality Labs division this year), there’s no mistaking the fact that AI is officially Zuckerberg’s top priority. This time, though, he’s playing catch-up in a heated race, not trying to invent a new platform from scratch. The stakes are much higher, even if he’s playing the game with house money.

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YouTube tells creators they can drop more F-bombs

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YouTube videos with strong profanity in the first seven seconds (words like “fuck”) are now eligible for full monetization, according to a video from Conor Kavanagh, YouTube’s head of monetization policy experience. Previously, these kinds of videos were only eligible for “limited ad revenue.”

Changes to YouTube’s inappropriate language policies have long been a sore spot for creators. In November 2022, the company began to potentially limit ad revenue if profanity was used in the first 8–15 seconds of a video. ProZD, whose real name is SungWon Cho, published a video where, after waiting 15 seconds, he called the policy change “the dumbest fucking shit I’ve ever heard.” (He later said that the video was demonetized.) YouTube adjusted its policies in March 2023, including allowing videos with profanity in the first 8–15 seconds to be eligible for ad revenue.

I asked ProZD his thoughts about Tuesday’s change. “It’s about fucking time.”

The company originally restricted monetization for videos with swearing at the start of videos to “align with broadcast standards,” Kavanagh says. “Advertisers expected ads on YouTube to have distance between profanity and the ad that just served.” However, “those expectations have changed,” he says, “and advertisers already have the ability to target content to their desired level of profanity.”

While the only specific example of “strong” profanity Kavanagh provides is “fuck” — he says that YouTube defines “moderate profanity” as words like “asshole” or “bitch” — “you get the idea,” he says.

YouTube will continue to limit monetization if you use moderate or strong profanity in titles or thumbnails. Videos with a “high frequency” of strong profanity are also still a “violation” of YouTube’s advertiser-friendly content guidelines, Kavanagh says. “You have to pick and choose your fucks carefully.”

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The controversial legal tactic The Trump Organization is using to take down fake merch

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Unauthorized merch promoting Donald Trump — from hats and mugs to signs and T-shirts — is everywhere online. Go to a Trump rally or other MAGA political event and you’re bound to find people hawking their DIY Trump wares.

The Trump Organization apparently isn’t too pleased.

A lawsuit filed last week claims online sellers on platforms like eBay, Amazon, and Walmart are hawking goods that infringe on the Trump Organization’s trademarks.

“Defendants design the online marketplace accounts to appear to be selling genuine TRUMP Products while selling inferior imitations of such products,” the suit, filed in US District Court in Florida, reads.

But The Trump Organization’s lawsuit isn’t your run-of-the-mill trademark case — look at the filing and you won’t find a list of sellers the firm is going after. Instead, there’s a vague stand-in for the defendants: “The individuals, corporations, limited liability companies … identified on Schedule A.”

These lawsuits are a way to go after dozens, hundreds, or even upwards of a thousand online storefronts all at once, making it much cheaper for plaintiffs. Schedule A suits are regularly filed under seal, meaning there isn’t the same level of public transparency. At times, plaintiffs have been able to get extraordinary remedies in court, like getting defendants’ assets frozen — including in a case I wrote about where an Amazon seller was unable to withdraw $50,000 in earnings.

These types of lawsuits get their name from the separate “Schedule A” form that’s filed to court — often under seal — listing all the online storefronts being sued. While it’s true that the web is filled with knockoffs, some experts have argued that Schedule A suits at times go overboard and raise due process concerns for the entities being accused of selling infringing products.

I’m not a judge or a trademark expert, so I will make no judgment on the merits of The Trump Organization’s claims. But it’s fascinating to see the president’s private business take up the same legal tactic that’s used by brands like Nike. Fake (or, to be more precise, unauthorized) Trump merch feels part and parcel with the MAGA ecosystem, whether it’s a homemade Trump yard sign or bloody post-assassination attempt pictures being plastered on T-shirts for sale on Etsy.

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